Kaley Lane Eaton’s work has been performed internationally in venues ranging from Hong Kong concert halls, to the streets of Skid Row in Los Angeles. Her “disconcertingly lovely” (Seattle Magazine) compositions are quickly gaining notoriety for combining innovative digital technology with ancient performance practices, questioning humanity’s growing dependence on technology and the resulting exploitation of human connection. Recently, she has received support from ASCAP (2019 Plus Award), Seattle Office of Arts and Culture (2019 CityArtist Award), the Allied Arts Foundation (2018 Listen Up! Grants for Composers grantee), the International Alliance for Women in Music (2017 Pauline Oliveros New Genre prize for lily [bloom in my darkness]), the Hambidge Center for Creative Arts and Sciences (2017 Distinguished Holland and Knight Fellowship), the Atlantic Center for the Arts (2017 Associate Artist), and 4Culture (2017 Tech-Specific Grant).