Theater Auditions

Video by Gigantic Planet.

To schedule your Theater audition, please contact your Admission Counselor, Tadd Morgan

Audition Dates for 2019 admission

On campus audition dates

Click on the date below to RSVP

October 12 Plus Department Open House!

November 18 Plus Department Open House!

February 24 Plus Department Open House!

Additional times available January 26 and March 3. To schedule on those days, please contact your Admission Counselor, Tadd Morgan

Off campus audition dates

DatesLocation
October 13, 2018Roosevelt High School
January 18, 19 & 20, 2019New York Unifieds
February 4, 5, & 6 2019Chicago Unifieds
February 8, 9, & 10 2019Los Angeles Unifieds
February 16, 2019San Francisco

Audition Requirements

Improvisation:    Each audition will include ensemble movement exercises and improvisation work.

Monologues:  Applicants will prepare and perform two monologues.   Of our two prescribed pieces (options below), select the one with which you feel the strongest connection. Make sure to read the corresponding play. For your second monologue, choose a piece from a contemporary play in which the mood, style and intention present an interesting contrast to the Cornish selection. It should have a strong objective that allows you to play actions that connect you with another character. Most importantly, it should be a piece that you enjoy performing.

Song: Prepare 16 to 32 bars of a song (verse and chorus).  Choose a song that allows you to play an action and brings your focus out rather than inward.  

Applicants to our Musical Theater concentration will be expected to perform their song with our accompanist. Please bring sheet music with cuts clearly marked and page turns easily managed. Make sure the music is notated in the correct key, our accompanist will not transpose for you. 

Applicants to our Acting Technique concentration are invited to perform their song with our accompanist as well, but may choose to sing unaccompanied if they prefer.

Interview:  Each student will have a short interview with our faculty to discuss their career goals and educational priorities.  

Dance Call:  Applicants to our Musical Theater concentration will be required to join us for a dance call.  This will consist of an hour of technique work with our choreographer, learning a combination that will allow us to assess your level of previous training and movement potential.

Option One

Fool for Love by Sam Shepard

MAE:

Okay. Look. I don’t understand what you’ve got in your head anymore. I really don’t. I don’t get it. Now, you desperately need me. Now, you can’t live without me. NOW, you’ll do anything for me. Why should I believe it this time? It was supposed to have been true every time before. Every other time. Now it’s true again. You’ve been jerking me off like this for fifteen years. Fifteen years I’ve been a yo-yo for you. I’ve never been split. I’ve never been two ways about you. I’ve either loved you or not loved you. And now I just plain don’t love you. Understand? Do you understand me? I don’t love you. I don’t need you. I don’t want you. Do you get that? Now if you can still stay then you’re either crazy or pathetic..

Option Two

Death of a Salesman by Arthur Miller

BIFF:

No! Nobody’s hanging himself, Willy! I ran down eleven flights with a pen in my hand today. And suddenly I stopped, you hear me? And in the middle of that office building, do you hear this? I stopped in the middle of that building and I saw—the sky. I saw the things that I love in this world. The work and the food and time to sit and smoke. And I looked at the pen and said to myself, what the hell am I grabbing this for? Why am I trying to become what I don’t want to be? What am I doing in an office, making a contemptuous, begging fool of myself, when all I want is out there, waiting for me the minute I say I know who I am! Why can’t I say that, Willy?

Audition Online

If an applicant is unable to join us for a live audition, we are glad to accept a video submission. Video auditions should be uploaded with the application for admission and must follow the additional requirements below:

Guidelines for Recording Auditions

  • Record your audition in a theater space or rehearsal hall.
  • Make sure that the acoustics are good (with no echo) and that there is sufficient light.
  • No costumes, makeup, or background sound effects should be used.
  • Feature your whole body on the recording though it is permissible to zoom in to a waist-up view once you have begun a monologue.
  • Introduce your audition by stating your name, age and place of residence. Briefly discuss your goals and experience. Introduce and then present the two contrasting monologues, each no longer than two minutes
  • Sing 16 bars of a song, unaccompanied
  • Include two letters of recommendation by people familiar with your performance work.  They can either accompany the upload or be sent separately.
  • Answer the following questions:

Who is one of your heroes—either in life or in the performing arts—and why?

Imagine that you received a grant to produce a play that you would either commission or write yourself. It could be in the theater of your choice, with the cast of your choice. The only condition is that it has to be about some issue—personal, social, political, environmental—that you care strongly about. What would you want your play to be about and what would you want the audience to take away from the experience of seeing your play?

To schedule your Theater audition, please contact your Admission Counselor, Tadd Morgan