Dates/TimeJuly 13 –July 17, M, T, W, Th, F, S, 9:00am – 4:00pm
LocationKerry Hall PON, 710 East Roy St, Seattle, WA
The price of this course is $600.00
Early Bird Discount Use the coupon code VZ22WH in the cart to receive a 10% discount on the total order. Early Bird Discount coupon code is valid until Friday, May 1, 2015.
You may register online. If you have any questions, please contact us.
The Jazz at Cornish Workshop affords talented high school and college students an opportunity to take their jazz improvisation skills to the next level with a week of both formal and informal tutoring from the nationally renowned Cornish College of the Arts jazz faculty and guest artists. The workshop has been designed for aspiring young musicians already playing with their school's jazz band or orchestra who wish to further develop their improvisational skills under the guidance of seasoned professional jazz musicians. This workshop will give students the opportunity of focusing on three distinctly different jazz styles, Latin, Hard Bop and Contemporary Jazz. Through classroom discussion, listening session and ensemble rehearsal, the workshop will delve into all aspects of the art of jazz improvisation. The week culminates in a Saturday concert featuring student ensembles.
Who should enroll?
Students, ages 15-19, already possessing a solid foundation on their instrument and experience playing in a jazz big band or orchestra at their high school. Vocalists as well as instrumentalists should apply.
Monday through Friday, 9:00am to 4:00pm with a break for lunch, and a concluding performance scheduled for Friday, July 17 at 7:00pm in PONCHO Concert Hall on the Cornish campus.
Open for enrollment to students, ages 15-19, playing at an intermediate or advanced level with an audition for ensemble placement.
Requirements & Availability
15 - 19
Learn more about the audition process.
Chuck Deardorf has been an integral member of the Northwest Jazz scene for over two decades. A respected acoustic and electric bassist, his dynamic performances have been a part of countless festivals, nightclubs, and recording sessions. Deardorf has toured the United States, Canada, the Caribbean, and Australia with jazz greats such as saxophonists Bud Shank and Don Lanphere, pianists George Cables and Kenny Barron, vocalists Ernestine Anderson and Kurt Elling, and guitarists Larry Coryell and Charlie Byrd. As the first-call bassist in Seattle for the last twenty years, he has been chosen to perform with a long list of legendary artists such as Chet Baker, Kenny Werner, Bill Mays, Herb Ellis, Charlie Byrd, Eric Alexander, Phil Woods, Zoot Sims, Pete Christlieb, Joe LaBarbara, Jeff Hamilton, Victor Lewis, Joe Williams, and Mark Murphy among others.
Deardorf is currently a member of the Deardorf/Peterson Group, the Jovino Santos Neto Quartet, the Susan Pascal Quartet and the Bill Ramsay Big Band. An accomplished studio musician, Deardorf’s bass has been heard on many first-run movie soundtracks, dozens of albums and CD projects—including his newest CD Transparence and the Deardorf/Peterson Group release Portal, both on Origin records—as well as with numerous Broadway and touring shows. He also has performed on occasion with the Seattle Symphony Orchestra.
Pianist/composer and Cornish alum Dawn Clement (B.M., 2000) maintains a hectic schedule between teaching and touring with saxophonist Jane Ira Bloom, recording with trombonist and fellow Cornish faculty member Julian Priester, and performing with her own trio consisting of Matt Wilson and Dean Johnson. In addition to Bloom, Clement has toured the U.S. with the Sabella Consort and the Rubin/Clement Piano Dialogues, the latter for which she received a King County Arts Commission grant in 2002. Clement has also performed with such notable artists as Pharaoh Sanders, Nancy King, Ingrid Jensen, Louis Moutin, Hadley Caliman, Mercer Ellington, Mark Helius, Mark Dresser, and Bobby Previte.
Over the last seven years, Clement has performed in some of the world’s premier venues including Carnegie Hall, Le Conservatoire Superieur, Paris, the Kennedy Center for the Performing Arts, and Seattle’s Benaroya Hall, as well as numerous clubs (Sweet Rhythm, Tonic, and Iridium), art museums, and theaters. Clement also has been the recipient of numerous accolades and awards including an invitation to compete at the Third International Martial Solal Jazz Piano Competition in Paris, France (2002), the Earshot Jazz awards for ‘Best Emerging Artist’; (2000), ‘Best Jazz Quartet’ and ‘Best Album’ for her performance with trombonist Priester (2003), and a nomination for ‘Earshot Jazz Record of the Year’ (2004) for her CD Hush. She also finished as one of the top five finalists in the Mary Lou Williams Jazz Piano Competition (2006).
A native of Seattle, Jay Thomas is a versatile multi-instrumentalist (trumpet, flugelhorn, alto, tenor, soprano and flutes), improviser, and bandleader. Twice voted by readers of Earshot Magazine as Musician of the Year (1996 and 1998) Thomas was also chosen as one of the top 10 brass players by Jazziz magazine.
Thomas can be heard on over sixty recordings including Blues For JW his eighth CD release as a bandleader. Thomas has also recorded as a bandleader and sideman with Cedar Walton, Billy Higgins, Jessica Williams, the James Knapp Orchestra, Pete Christlieb, Becca Duran, Bud Shank, Ray Brown, and Elvin Jones. Thomas has toured or appeared in concert with Mel Lewis, Clayton-Hamilton, Maria Schneider, Bill Holman, Herb Ellis, Jake Hanna, Mel Ryne, Becca Duran, John Stowell, Slim Gaillard, Bob Florence, Frank Wess, Buddy Tate, George Cables, Charles McPherson, Bill Mays, Ralph Penland, Harold Land, and Diane Schuur.