Administration
- Kent Devereaux, Department Chair
- Megan Campbell-Miller, Production Coordinator
- Alek Edmonds, Technical Director
- Rachel DeShon, Administrative Assistant
- Frank Phillips, PONCHO Concert Hall Facilities Manager
Composition Faculty
- Tom Baker
- Steve Barsotti
- Emily Doolittle
- Gary Gibson
- Janice Giteck
- Gretta Harley
- Robin Holcomb
- Wayne Horvitz
- Eyvind Kang
- Jim Knapp
- Jarrad Powell
- Jovino Santos-Neto
- Linda Waterfall
Instrumental Faculty
- Kofi Anang, African Drumming
- Marcos Carmona, Flamenco Guitar
- Dawn Clement, Piano
- Chuck Deardorf, Bass
- Peggy Dees, Clarinet
- Justin Emerich, Trumpet
- Mara Gearman, Viola
- Valerie Muzzolini Gordon, Harp
- Brent Hages, Oboe
- Randy Halberstadt, Piano
- Jeff Hay, Trombone
- Jennifer Hinkle, Bass Trombone
- Mark Ivester, Drums
- Joe Kaufman, Doublebass
- Matt Kocmieroski, Percussion
- Seth Krimsky, Bassoon
- Martin Kuuskmann, Bassoon
- Paige Stockley Lerner, Cello
- Michael Jinsoo Lim, Violin
- Peter Mack, Piano
- Roger Nelson, Piano
- Michael Nicolella, Guitar
- Margie Pos, Bass
- Julian Priester, Trombone
- David Ritt, Trombone
- Mark Robbins, French Horn
- Murl Allen Sanders, Accordion
- Adam Stern, Conducting
- Stephen Stubbs, Lute
- Paul Taub, Flute
- Hans Teuber, Saxophone
- Ben Thomas, Vibraphone
- Jay Thomas, Trumpet
- Cristina Valdes, Piano
- Tom Varner, French Horn
Voice Faculty
- Adam Burdick, Chamber Singers
- Michael Delos, Voice, Opera
- Becca Duran, Vocal Jazz
- John Duykers, Voice, Opera
- Kelly Harland, Vocal Jazz
- Ross Hauck, Voice, Opera
- Johnaye Kendrick, Vocal Jazz
- Jessika Kenney, Persian, Javanese Vocals
- Natalie Lerch, , Voice, Opera
- Cyndia Sieden, , Voice, Opera
- Kathryn Weld, , Voice, Opera
- Beth Winter, Vocal Jazz
- Nancy Zylstra, Voice, Baroque Opera
Jazz Faculty
- Paul de Barros
- Tim Carey, Bass
- Dawn Clement, Piano
- Chuck Deardorf, Bass
- Becca Duran, Vocal Jazz
- Gary Gibson, Notation, Percussion
- Randy Halberstadt, Piano
- Kelly Harland, Vocal Jazz
- Jeff Hay, Trombone
- Robin Holcomb, Songwriting
- Wayne Horvitz, Composition
- Mark Ivester, Drums
- Eyvind Kang, Viola, Violin
- Johnaye Kendrick, Vocal Jazz
- Jim Knapp, Composition
- Margie Pos, Bass, Eartraining
- Julian Priester, Trombone
- Murl Allen Sanders, Accordion
- Jovino Santos-Neto, Composition
- Chris Spencer, Guitar
- Hans Teuber, Saxophones
- Ben Thomas, Vibraphone
- Jay Thomas, Trumpet, Saxophone
- Tom Varner, French Horn
- Beth Winter, Vocal Jazz
Early Music Faculty
- Vicki Boeckman, Recorder
- Tekla Cunningham, Violin
- Maxine Eilander, Baroque Harp
- Ross Hauck, Voice
- Kris Kwapis, Trumpet, Cornetto
- Ingrid Matthews, Violin
- Anna Mansbridge, Baroque Dance
- Byron Schenkman, Harpsichord
- Janet See, Baroque Flute
- Cyndia Sieden, Voice
- Jillon Stoppels Dupree, Harpsichord
- Stephen Stubbs, Lute, Baroque Opera
- Margriet Tindemans, Viola da Gamba
- Nathan Whittaker, Cello
- Nancy Zylstra, Voice, Baroque Opera
Kent Devereaux
Professor, Composition, Department Chair
Kent Devereaux is a composer, director, and producer of opera and music–theater who also has considerable experience working as a senior executive in higher education, media, and publishing. Most recently Devereaux served as Senior Vice President and acting Dean of Curriculum for Kaplan University, one of the world’s largest online universities. Prior to that, he was Senior Vice President in charge of editorial for Encyclopædia Britannica and oversaw their U.S., U.K., Australia, and India operations. He was previously the Andrew W. Mellon Visiting Professor in Criticism at the California Institute of the Arts and taught for many years at the School of the Art Institute of Chicago.
Devereaux’s artistic work includes collaborations with John Duykers, Janice Felty, Rinde Eckert, Herbert Perry, Paul Dresher, Leonard Pitt, Gusmiati Suid, Boi Sakti, Jarrad Powell, Tony Prabowo, Goenawan Mohamad, I Made Sidia, and Lynn Book, and performances at the Brooklyn Academy of Music’s Next Wave Festival, the London International Festival of Theatre, and the Granada International Theatre Festival. He has staged and directed his works at Steppenwolf Theatre in Chicago, the Walker Arts Center in Minneapolis, On the Boards in Seattle, and elsewhere.
Devereaux studied composition with Lou Harrison and David Cope, jazz arranging with Ray Brown, and electronic music with Gordon Mumma while attending the University of California at Santa Cruz. He studied classical and jazz composition with Janice Giteck, Bun–Ching Lam, Gil Evans, Art Lande, and Anthony Braxton at Cornish (B.F.A., 1982), performance art and technology at the School of the Art Institute of Chicago (M.F.A., 1985), and later computer music with John Chowning at Stanford University. Devereaux has been the recipient of grants from the Rockefeller Foundation, the National Endowment for the Arts, and Arts International, as well as a Fulbright Fellowship to study Javanese shadow puppetry in Indonesia. You can read his arts criticism and musings on life on his blog.