Administration
- Kent Devereaux, Department Chair
- Megan Campbell-Miller, Production Coordinator
- Alek Edmonds, Technical Director
- Rachel DeShon, Administrative Assistant
- Frank Phillips, PONCHO Concert Hall Facilities Manager
Composition Faculty
- Tom Baker
- Steve Barsotti
- Emily Doolittle
- Gary Gibson
- Janice Giteck
- Gretta Harley
- Robin Holcomb
- Wayne Horvitz
- Eyvind Kang
- Jim Knapp
- Jarrad Powell
- Jovino Santos-Neto
- Linda Waterfall
Instrumental Faculty
- Kofi Anang, African Drumming
- Marcos Carmona, Flamenco Guitar
- Dawn Clement, Piano
- Chuck Deardorf, Bass
- Peggy Dees, Clarinet
- Justin Emerich, Trumpet
- Mara Gearman, Viola
- Valerie Muzzolini Gordon, Harp
- Brent Hages, Oboe
- Randy Halberstadt, Piano
- Jeff Hay, Trombone
- Jennifer Hinkle, Bass Trombone
- Mark Ivester, Drums
- Joe Kaufman, Doublebass
- Matt Kocmieroski, Percussion
- Seth Krimsky, Bassoon
- Martin Kuuskmann, Bassoon
- Paige Stockley Lerner, Cello
- Michael Jinsoo Lim, Violin
- Peter Mack, Piano
- Roger Nelson, Piano
- Michael Nicolella, Guitar
- Margie Pos, Bass
- Julian Priester, Trombone
- David Ritt, Trombone
- Mark Robbins, French Horn
- Murl Allen Sanders, Accordion
- Adam Stern, Conducting
- Stephen Stubbs, Lute
- Paul Taub, Flute
- Hans Teuber, Saxophone
- Ben Thomas, Vibraphone
- Jay Thomas, Trumpet
- Cristina Valdes, Piano
- Tom Varner, French Horn
Voice Faculty
- Adam Burdick, Chamber Singers
- Michael Delos, Voice, Opera
- Becca Duran, Vocal Jazz
- John Duykers, Voice, Opera
- Kelly Harland, Vocal Jazz
- Ross Hauck, Voice, Opera
- Johnaye Kendrick, Vocal Jazz
- Jessika Kenney, Persian, Javanese Vocals
- Natalie Lerch, , Voice, Opera
- Cyndia Sieden, , Voice, Opera
- Kathryn Weld, , Voice, Opera
- Beth Winter, Vocal Jazz
- Nancy Zylstra, Voice, Baroque Opera
Jazz Faculty
- Paul de Barros
- Tim Carey, Bass
- Dawn Clement, Piano
- Chuck Deardorf, Bass
- Becca Duran, Vocal Jazz
- Gary Gibson, Notation, Percussion
- Randy Halberstadt, Piano
- Kelly Harland, Vocal Jazz
- Jeff Hay, Trombone
- Robin Holcomb, Songwriting
- Wayne Horvitz, Composition
- Mark Ivester, Drums
- Eyvind Kang, Viola, Violin
- Johnaye Kendrick, Vocal Jazz
- Jim Knapp, Composition
- Margie Pos, Bass, Eartraining
- Julian Priester, Trombone
- Murl Allen Sanders, Accordion
- Jovino Santos-Neto, Composition
- Chris Spencer, Guitar
- Hans Teuber, Saxophones
- Ben Thomas, Vibraphone
- Jay Thomas, Trumpet, Saxophone
- Tom Varner, French Horn
- Beth Winter, Vocal Jazz
Early Music Faculty
- Vicki Boeckman, Recorder
- Tekla Cunningham, Violin
- Maxine Eilander, Baroque Harp
- Ross Hauck, Voice
- Kris Kwapis, Trumpet, Cornetto
- Ingrid Matthews, Violin
- Anna Mansbridge, Baroque Dance
- Byron Schenkman, Harpsichord
- Janet See, Baroque Flute
- Cyndia Sieden, Voice
- Jillon Stoppels Dupree, Harpsichord
- Stephen Stubbs, Lute, Baroque Opera
- Margriet Tindemans, Viola da Gamba
- Nathan Whittaker, Cello
- Nancy Zylstra, Voice, Baroque Opera
Kathryn Weld
Adjunct Instructor
Voice
Mezzo–soprano Kathryn Weld has performed extensively throughout the United States, Canada, Europe, and Japan. Her expertise extends from Baroque ornamentation to bel canto opera, from Mahler’s symphonic song cycles to contemporary work. She has made two solo appearances with the New York Philharmonic, one with Charles Dutoit conducting de Falla’s Three–Cornered Hat, and the other under the direction of Kurt Masur in Grieg’s Peer Gynt. She made her Carnegie Hall debut to critical acclaim in a performance of Bach’s Mass in B Minor with Musica Sacra. Highlights of her recent symphonic work include Mahler’s Das Lied von der Erde at the Northwest Mahler Festival, Mahler’s Resurrection Symphony with the Seattle Youth Symphony, and Berlioz’ Les Nuits d’Ete with Orchestra Seattle. Other northwest appearances include the Oregon Symphony, Helena Symphony, Wyoming Symphony, and Portland Baroque Orchestra, the latter broadcast live on National Public Radio.
On stage, Weld has appeared with the Seattle Opera, Opera Carolina, Tacoma Opera, the Regensburg Opera Theater in Germany and the State Repertory Opera of New Jersey, among others. Her roles include Cherubino in Le Nozze di Figaro, Rosina in Il Barbiere di Siviglia, Dorabella in Cosi fan Tutte, Orfeo in Gluck’s Orfeo ed Euridice and the Prince in Cendrillon. She also portrayed the famous chef Julia Child in the one–woman opera, Bon Appetit!, by Lee Hoiby.
Weld has also been a featured soloist with the Bayerischen Rundfunkchor (Bavarian Radio Choir), Consortium Musicum (Munich), and the Prague Philharmonic. She has also been featured with the St. Luke’s Chamber Orchestra, the Philharmonia Baroque Orchestra under Nicolas McGegan, the Mark Morris Dance Company, the Sapporo Symphony, and the Osaka Chamber Orchestra. This year includes her first concerts in Paris, France with internationally renowned accompanist Laurana Mitchelmore, a duo recital with baritone Robert Orth, and concerts in Helsinki, Moscow, and St. Petersburg.