Administration
- Kent Devereaux, Department Chair
- Megan Campbell-Miller, Production Coordinator
- Alek Edmonds, Technical Director
- Rachel DeShon, Administrative Assistant
- Frank Phillips, PONCHO Concert Hall Facilities Manager
Composition Faculty
- Tom Baker
- Steve Barsotti
- Emily Doolittle
- Gary Gibson
- Janice Giteck
- Gretta Harley
- Robin Holcomb
- Wayne Horvitz
- Eyvind Kang
- Jim Knapp
- Jarrad Powell
- Jovino Santos-Neto
- Linda Waterfall
Instrumental Faculty
- Kofi Anang, African Drumming
- Marcos Carmona, Flamenco Guitar
- Dawn Clement, Piano
- Chuck Deardorf, Bass
- Peggy Dees, Clarinet
- Justin Emerich, Trumpet
- Mara Gearman, Viola
- Valerie Muzzolini Gordon, Harp
- Brent Hages, Oboe
- Randy Halberstadt, Piano
- Jeff Hay, Trombone
- Jennifer Hinkle, Bass Trombone
- Mark Ivester, Drums
- Joe Kaufman, Doublebass
- Matt Kocmieroski, Percussion
- Seth Krimsky, Bassoon
- Martin Kuuskmann, Bassoon
- Paige Stockley Lerner, Cello
- Michael Jinsoo Lim, Violin
- Peter Mack, Piano
- Roger Nelson, Piano
- Michael Nicolella, Guitar
- Margie Pos, Bass
- Julian Priester, Trombone
- David Ritt, Trombone
- Mark Robbins, French Horn
- Murl Allen Sanders, Accordion
- Adam Stern, Conducting
- Stephen Stubbs, Lute
- Paul Taub, Flute
- Hans Teuber, Saxophone
- Ben Thomas, Vibraphone
- Jay Thomas, Trumpet
- Cristina Valdes, Piano
- Tom Varner, French Horn
Voice Faculty
- Adam Burdick, Chamber Singers
- Michael Delos, Voice, Opera
- Becca Duran, Vocal Jazz
- John Duykers, Voice, Opera
- Kelly Harland, Vocal Jazz
- Ross Hauck, Voice, Opera
- Johnaye Kendrick, Vocal Jazz
- Jessika Kenney, Persian, Javanese Vocals
- Natalie Lerch, , Voice, Opera
- Cyndia Sieden, , Voice, Opera
- Kathryn Weld, , Voice, Opera
- Beth Winter, Vocal Jazz
- Nancy Zylstra, Voice, Baroque Opera
Jazz Faculty
- Paul de Barros
- Tim Carey, Bass
- Dawn Clement, Piano
- Chuck Deardorf, Bass
- Becca Duran, Vocal Jazz
- Gary Gibson, Notation, Percussion
- Randy Halberstadt, Piano
- Kelly Harland, Vocal Jazz
- Jeff Hay, Trombone
- Robin Holcomb, Songwriting
- Wayne Horvitz, Composition
- Mark Ivester, Drums
- Eyvind Kang, Viola, Violin
- Johnaye Kendrick, Vocal Jazz
- Jim Knapp, Composition
- Margie Pos, Bass, Eartraining
- Julian Priester, Trombone
- Murl Allen Sanders, Accordion
- Jovino Santos-Neto, Composition
- Chris Spencer, Guitar
- Hans Teuber, Saxophones
- Ben Thomas, Vibraphone
- Jay Thomas, Trumpet, Saxophone
- Tom Varner, French Horn
- Beth Winter, Vocal Jazz
Early Music Faculty
- Vicki Boeckman, Recorder
- Tekla Cunningham, Violin
- Maxine Eilander, Baroque Harp
- Ross Hauck, Voice
- Kris Kwapis, Trumpet, Cornetto
- Ingrid Matthews, Violin
- Anna Mansbridge, Baroque Dance
- Byron Schenkman, Harpsichord
- Janet See, Baroque Flute
- Cyndia Sieden, Voice
- Jillon Stoppels Dupree, Harpsichord
- Stephen Stubbs, Lute, Baroque Opera
- Margriet Tindemans, Viola da Gamba
- Nathan Whittaker, Cello
- Nancy Zylstra, Voice, Baroque Opera
Cyndia Sieden
Adjunct Instructor
Voice
Coloratura soprano Cyndia Sieden moves between the Baroque, classical, and contemporary repertoire with extraordinary accomplishment and considerable acclaim. She has sung with many of the most prestigious symphony orchestras in the world, including the Royal Concertgebouw Orchestra, the Los Angeles Philharmonic, the Cleveland Orchestra, the Atlanta Symphony, the Chicago Symphony Orchestra, the London Symphony Orchestra, and at New York’s Mostly Mozart Festival. Sieden is also much in demand for Carmina Burana, the oratorios of Handel, Mozart, and Haydn, works of Bach, Mahler’s Symphony No. 8, and concert performances of operas, including most of Mozart’s oeuvre, Candide, and Ariadne auf Naxos.
Sieden has performed at most of the world’s greatest opera houses, including Munich’s Bayerische Staatsoper, Paris’ Opéra Bastille, Barcelona’s Gran Teatre de Liceu, Brussels’ La Monnaie, and London’s English National Opera, as well as in Beijing and Australia. Her Metropolitan Opera debut was an acclaimed performance as Berg’s Lulu. She frequently performs Zerbinetta in Ariadne auf Naxos (Munich, Japan, Vienna) as well as Sophie in Der Rosenkavalier (Paris’ Châtelet) and Aminta in Die schweigsame Frau (Palermo). Her performance in the high-flying role of Ariel in the premiere of Thomas Adès’ The Tempest at the Royal Opera House Covent Garden garnered her rave reviews. London’s Daily Telegraph said “her ability to keep control over the stratospherically high writing for Ariel [is] astonishing.” The Times called her “sensational,” and The New Yorker, “Brilliant.” She has garnered equally enthusiastic acclaim for her portrayal of The Queen of the Night in Mozart’s Die Zauberflöte and as Blondchen in Die Entführung aus dem Serail. Her Archiv recordings of these two works, both conducted by John Eliot Gardiner, affirmed her status as one of the preeminent Mozart interpreters of her generation.