Administration
- Kent Devereaux, Department Chair
- Megan Campbell-Miller, Production Coordinator
- Alek Edmonds, Technical Director
- Rachel DeShon, Administrative Assistant
- Frank Phillips, PONCHO Concert Hall Facilities Manager
Composition Faculty
- Tom Baker
- Steve Barsotti
- Emily Doolittle
- Gary Gibson
- Janice Giteck
- Gretta Harley
- Robin Holcomb
- Wayne Horvitz
- Eyvind Kang
- Jim Knapp
- Jarrad Powell
- Jovino Santos-Neto
- Linda Waterfall
Instrumental Faculty
- Kofi Anang, African Drumming
- Marcos Carmona, Flamenco Guitar
- Dawn Clement, Piano
- Chuck Deardorf, Bass
- Peggy Dees, Clarinet
- Justin Emerich, Trumpet
- Mara Gearman, Viola
- Valerie Muzzolini Gordon, Harp
- Brent Hages, Oboe
- Randy Halberstadt, Piano
- Jeff Hay, Trombone
- Jennifer Hinkle, Bass Trombone
- Mark Ivester, Drums
- Joe Kaufman, Doublebass
- Matt Kocmieroski, Percussion
- Seth Krimsky, Bassoon
- Martin Kuuskmann, Bassoon
- Paige Stockley Lerner, Cello
- Michael Jinsoo Lim, Violin
- Peter Mack, Piano
- Roger Nelson, Piano
- Michael Nicolella, Guitar
- Margie Pos, Bass
- Julian Priester, Trombone
- David Ritt, Trombone
- Mark Robbins, French Horn
- Murl Allen Sanders, Accordion
- Adam Stern, Conducting
- Stephen Stubbs, Lute
- Paul Taub, Flute
- Hans Teuber, Saxophone
- Ben Thomas, Vibraphone
- Jay Thomas, Trumpet
- Cristina Valdes, Piano
- Tom Varner, French Horn
Voice Faculty
- Adam Burdick, Chamber Singers
- Michael Delos, Voice, Opera
- Becca Duran, Vocal Jazz
- John Duykers, Voice, Opera
- Kelly Harland, Vocal Jazz
- Ross Hauck, Voice, Opera
- Johnaye Kendrick, Vocal Jazz
- Jessika Kenney, Persian, Javanese Vocals
- Natalie Lerch, , Voice, Opera
- Cyndia Sieden, , Voice, Opera
- Kathryn Weld, , Voice, Opera
- Beth Winter, Vocal Jazz
- Nancy Zylstra, Voice, Baroque Opera
Jazz Faculty
- Paul de Barros
- Tim Carey, Bass
- Dawn Clement, Piano
- Chuck Deardorf, Bass
- Becca Duran, Vocal Jazz
- Gary Gibson, Notation, Percussion
- Randy Halberstadt, Piano
- Kelly Harland, Vocal Jazz
- Jeff Hay, Trombone
- Robin Holcomb, Songwriting
- Wayne Horvitz, Composition
- Mark Ivester, Drums
- Eyvind Kang, Viola, Violin
- Johnaye Kendrick, Vocal Jazz
- Jim Knapp, Composition
- Margie Pos, Bass, Eartraining
- Julian Priester, Trombone
- Murl Allen Sanders, Accordion
- Jovino Santos-Neto, Composition
- Chris Spencer, Guitar
- Hans Teuber, Saxophones
- Ben Thomas, Vibraphone
- Jay Thomas, Trumpet, Saxophone
- Tom Varner, French Horn
- Beth Winter, Vocal Jazz
Early Music Faculty
- Vicki Boeckman, Recorder
- Tekla Cunningham, Violin
- Maxine Eilander, Baroque Harp
- Ross Hauck, Voice
- Kris Kwapis, Trumpet, Cornetto
- Ingrid Matthews, Violin
- Anna Mansbridge, Baroque Dance
- Byron Schenkman, Harpsichord
- Janet See, Baroque Flute
- Cyndia Sieden, Voice
- Jillon Stoppels Dupree, Harpsichord
- Stephen Stubbs, Lute, Baroque Opera
- Margriet Tindemans, Viola da Gamba
- Nathan Whittaker, Cello
- Nancy Zylstra, Voice, Baroque Opera
Anna Mansbridge
Adjunct Instructor
Renaissance & Baroque Dance
Anna Mansbridge is one of the leading experts in Baroque Dance in the United States. She is the founder (in 2000) and Artistic Director of Seattle Early Dance, which specializes in recreating dances from the sixteenth through eighteenth century European courts. The company has performed with many prestigious music ensembles, including Seattle Symphony, Seattle Baroque Orchestra and Pacific Musicworks. Anna also directs early opera. Her credits include Rappresentatione di Anima et di Corpo (1600) by Emilio De’ Cavalieri and The Indian Queen (1695) by Henry Purcell. Most recently she directed and choreographed La liberazione di Ruggiero dall’isola d’Alcina (1625) by Francesca Caccini and choreographed Venus and Adonis (1684) by John Blow for the Cornish Opera Theater. In addition, Anna has directed a DVD titled Baroque Basics: an introduction to the dance and the music of the Baroque Period. Anna is also on the faculty of the Accademia d’Amore, a workshop for singers and dancers in early music held each summer at Cornish College of the Arts.
